But the film doesn't forget its roots and delivers perhaps the finest space battle sequence in the entire franchise. The "ground war" aspect that Edwards has previously spoken about makes the action feel grittier and more intense than anything we’ve seen before. But the scale of the action, in particular the climax, are at a level that could not have been achieved back in the late '70s.
The '70s haircuts and big buttons on various pieces of Death Star equipment give it a necessary continuity with Episode IV, without ever feeling gimmicky. There has been plenty written about the extensive reshoots that took place this summer, but unlike other recent movies that were reworked at the last minute ( Fantastic Four, Suicide Squad), there is no evidence of a troubled production.Įdwards’ ability to combine practical effects with CGI and make a film that both slots in perfectly to the Star Wars timeline and delivers the sort of action set-pieces that modern audiences will expect is deeply impressive. Once Rogue One hits its stride, it is executed with confidence and verve. Some of these are simply amusing cameos, while others are more integral to the plot. There are also appearances from a number of familiar characters from the previous movies. As the mission continues, more memorable characters join the team-including martial arts superstar Donnie Yen as a blind stick-wielding monk. There’s brave but cynical Jyn, Ben Mendelsohn’s angry Imperial Director Krennic, Diego Luna’s ruthless Rebel soldier Cassian Andor, and his faithful, reprogrammed Imperial droid K-2SO. The densely-packed first 30 minutes involves a lot of character introductions, planet-hopping, and expositional dialogue, almost to the point that it’s hard to keep up. While Abrams was careful to gently reintroduce the Star Wars universe to audiences, Edwards has no such worry, plunging the audience directly into this new story. It’s a simple set-up, and this is a story that fans have been waiting to see since 1977. The Rebel Alliance learn of this evil scheme via an Imperial defector, and with the help of Galen’s estranged daughter Jyn (Felicity Jones), set about trying to steal the plans that could lead to its destruction. The Empire is developing a planet-destroying super-weapon they have called the Death Star, reluctantly aided by a scientist named Galen Erso (Mads Mikkelsen).
Rogue One is set before the events of A New Hope, at a time of turmoil for the galaxy.
#STAR WARS A ROGUE ONE RUNNING TIME MOVIE#
The first movie not to be part of the ongoing saga (discounting the woeful Ewok movies from the 1980s), Rogue One feels familiar yet different, and is a clear indication that Lucasfilm plans to take the franchise in some bold new directions.īy forgoing the main series' iconic opening crawl, director Gareth Edwards makes his intention to breakaway from Star Wars conventions clear. Rogue One: A Star Wars Story is different.
After the lingering negativity that still surrounds the prequel trilogy, Force Awakens director JJ Abrams’ proved that Star Wars remained an audience-pleasing blockbuster property that could deliver both the nostalgic thrills that long-time fans were seeking and introduce a whole new generation to the universe. Star Wars: The Force Awakens was more than just an entertaining new chapter in a long-running sci-fi series.
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